With this one, my influences were clear:<\/p>\n
I was thinking of the Thelonius Monk composition \u201cEvidence\u201d from 1948, 1957, 1958, 1960 and 1964. (Personally I prefer the 1963 Japan version)<\/p>\n
Fear not, nothing is being plagiarized here!<\/p>\n
So, LOSE THE EVIDENCE<\/a>, although more suitable title would be \u201cLose to Evidence\u201d, \u2018cos comparing these two works is like comparing the whole western literature to a big mac Dave bought last week. You can decide which is which.<\/p>\n Anyway, my piece also has melody with jerky rhythm, and a chord structure, which only little by little starts to make any sense.<\/p>\n Now that I do some rare and actual thinking\u2026 The Monk in Japan \u201cEvidence\u201d was probably among the very first videos I ever watched on uTub\u2026 Also Coltrane live\u2026 And Cecil Taylor in gray sweatpants playing some crazy-butt solo piano stuff\u2026<\/p>\n Off to the internets!<\/p>\n","protected":false},"excerpt":{"rendered":" With this one, my influences were clear: I was thinking of the Thelonius Monk composition \u201cEvidence\u201d from 1948, 1957, 1958, 1960 and 1964. (Personally I prefer the 1963 Japan version) Fear not, nothing is being plagiarized here! So, LOSE THE EVIDENCE, although more suitable title would be \u201cLose to Evidence\u201d, \u2018cos comparing these two works … Continue reading Three Kings.<\/span>