Producing SPELKLOKK was a theoretical struggle. It was all about taming the chords – making them sound smooth, although the structure is actually pretty complicated.
Well, maybe not that complicated. More like clever.
The process reminded me of something my high school finnish teacher said about writing a good essay: The writing part must be hard in order to make the result easy to read.
So, what you’re hearing today is domesticated nightmarish glockenspiels.